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It's music to our ears.

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This is a music blog about:
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The music of Trinidad and Tabago
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May 2009 July 2009

Sunday, July 19, 2009 { 9:06 PM }


Friday, July 17, 2009 { 5:10 AM }

THE CULTURE OF TRINIDAD AND TABAGO



Today, we found out about the Culture of Trinidad and Tobago. It’s pretty interesting really. Surprisingly, such small islands reflects influences from all over the world; Such as African, Indian, French, Amerindian, Chinese, British, Spanish, Portuguese, Venezuelan, and many more. Oh I forgot to mention the Caribbean immigrants; they brought their various cultures to the islands. With different histories in Trinidad and Tobago, there are also many cultural differences and influences which have shaped each island to what it is today.

Trinidad and Tobago had strong links with the United Kingdom. Therefore, it is an English-speaking country with major influences from the British Empire such as the two top sports, football and cricket.
Festivals and Music

Here are the festivals and music in this interesting country’s culture.

Carnival

Firstly, carnival. It is considered as the most influential factor on the culture of Trinidad and Tobago. French settlers had introduced it during the eighteenth century. Actually, at first it was only confined to the higher class or the elite but soon, slaves imitated it and made it a practise, after the abolition of slavery, celebration became widespread all over the country. However in 1881, there was a major riot called the Canboulay Riots changed the rules of carnival. Carnival was confined to to the upper classes in the morning and the night was given to the lower classes. So, people created J'ouvert. This meant that for first few hours of Carnival Monday mornings, which is about from 4 am till sunrise, the wealthy could mix with the poor in celebration. Monday night (night 'mas) was also quite simliar.

Mas'

Before World War II, in the daytime of Carnival Monday and Tuesday, there was Mas’. The streets were dominated by costumed masqueraders who portrayed traditional characters such as Midnight Robber, Police and Thief, Wild Indian, Bat, Jab Molassie, Jab Jab, Red Devil, Blue Devil, and Dame Lorraine. I find this quite cool, like some big costume party on the streets or something. Also, in the postwar period there were organised bands, which today can include thousands of masqueraders.

Carnival fetes

There is also another type of Carnival known as a Carnival fete or "party" which takes place mostly during the week before the actual parade of bands on Carnival Monday and Tuesday. They take place from year end all the way till the carnival (usually in February) and are generally carnival themed and feature live music from bands and soca artists promoting their songs.

Christmas

Just like any other country, Trinidad and Tabago also celebrates christmas. During this period, Parang is usually the most common form of music. Pastelle, black cake, fruit cake and sweet bread paime is eaten together with drinks such as Peardrax, ponche de creme, ginger beer and sorrell wine. Majority of the population over there are Christians, therefore it is one of the biggest celebrations.

Divali

Divali is a Hindu festival celebrated in India celebrating the fifteenth night of the dark fortnight of the month of Kaartik (October/November).

Hosay

Lastly, Hosay. It is the local manifestation of the Shia Muslim Remembrance of Muharram in Trinidad and Tobago.

Music

Calypso

Calypso music, one of my favorites, was developed together with Carnival. One very interesting thing is that the music had started off as the voice of the people through elections and other things. It caused the masses to challenge themselves of their doings of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso was originally in patois (Creole French) but later got replaced by English after the British rule. Calypso then migrated into English, and attracted more attention from the government. Currently, Calypso continues to play an important role in political expression, and also served to document the history of Trinidad and Tobago. How cool is that? A genre of music could bring so much to the country.

Soca

Soca is a dance music which is a mix of Trinidad's calypso and Indian music and rhythms, especially chutney music. Soca and its derivatives have largely displaced mainstream calypso as the music of Carnival.

Chutney

Chutney is listened to Trinidad and Guyana.

Rapso

Parang

Parang is a Spanish Trinidadian musical art form mainly listened to around Christmas time.

Pichakaree

Pichakaree is an Indo-Trinidadian musical form which originated right here in Trinidad and Tobago. It has a very unique mix of cultures, its songs are generally social commentaries, and are sung using a mixture of Hindi, English and Bhojpuri words. The musical form was devised by RaviJi, spiritual leader of the Hindu Prachar Kendra, as an Indo-Trinidadian counterpoint to calypso which often takes a strongly anti-Indian tone.

Steelband

The steelband developed during the wartime period. They were influenced by the Tambu Bamboo bands, which used percussion instruments based on bamboo. Many bands took names from war movies including Casablanca, Tokyo, Free French and Tripoli.


Instruments Used for the Various Types of Music


Calypso


Calypso music often uses instruments such as the trumpet, trombone, clarinet, saxophone, electric guitar, bass guitar, congos, bongos, steelpan and drum sets.


The Congos and Bongos are the more African of the list so I will going more into detail about them.







Congo

Congo drums are tall and narrow, just like a model! They are single-headed and Cuban even though their 'ancestors' came from Africa. They are said to have been made of salvaged barrels in the past.


Now, congos are either made of staved wood or fiberglass shells together with a screw that tenses the drumhead. Normaelly, they are played using the fingers and palms in sets two to four while the player is sitting. There is also a choice of placing it on a stand or rack so that it is able to be played while standing as well! However, instead of using your hands, some specific sticks can also be used like the Regal's Tip's sticks which can mimic the sound of the hands playing and so on.


There are many types of strokes to play on the congo. Naming the five basic ones called the Open tone, the Muffled tone, the Bass tone and some of the more interesting ones are the Slap and the Touch. The Open and Muffled tone are similar in a way that they use four fingers to strike the drum just that instead of hitting the rim of the drumhead, the Muffled tone holds the fingers against the drumhead to produce a "muffled" tone like the name descibes. The Open tone would create of course, an "open' sound, distinct and resonant. The Bass tone uses the whole palm and creates a muted low-keyed sound. The Slap, my favourite due to its unique name and also its high-difficulty level, creates a clear and deafening 'POP' sound, just like a slap. It is called a floreo when playing in stoccato to try to let the dancer feel and produce more emotion when dancing. The Touch, is played by using the heel of the palm and fingers and just touching the drumhead. Sounds simple? Well, combining both does not sound that easy and is called a heel-toe which produces 'drumroll' noises. Amazing isnt it?


Bongo


Now, on to the Bongo. These are Cuban single-headed drums, sounds like the Congo right? Well, the difference is they are open-ended double drums that are attached to one another, like twins. However, the are of different sizes, the larger one being the female (hembra) and the smaller one being the male (macho), a couple where the guy is smaller than the girl. Interesting. Anyway, they are played often by hand. They are normally made of wood, metal and other composite materials which will then be attached to a thick piece of wood. The drumhead is made of animal skin or synthetic.


Bongos are high-pitched percussion instruments but play some contemporary music as well, where drum-sticks are needed. Otherwise, they will be held firmly between the knees with the 'female' on the right when the player is right-handed and vise-versa. Played by striking the fingers and palms on the drumhead and can be played with is resting on a stand like concert orchestras and bands.


Soca




This type of music uses the bass, drums, guitar, vocals, trumpet and trombone; most of which people are quite farmiliar with.












Chutney


Chutney, uses the dholak, harmonium, dhantal and urumee. I know the names are weird so i will be explaining the dholak and urumee more.






The dholak is a double-headed drum played using the hands. It originates from North Indian, Paskistan and Nepal. It is typically a folk instrument, used for classical music in the past and is used in various North Indian folk music, gawalli and kirtan. It is played on the lap and slung over the shoulder or waist when is needed to play while standing.


The urumee, also a double-headed drum, is hourglass in shape (like a human?) and originates from the state of Tamil Nadu in South India. The urumee can be slung using a cloth strap across the shoulder and played horizontally. The drummer is then able to play it whether he or she is walking or standing. The difference from the dholak is that the urumee is played solely with sticks and similar to the congos, they have five basic sounds that can be played as well.


However, the only similar sound they both have is the 'open' sound where the drummer hits the right head. The Moaning sound is deep and resonant. Also striking the right head like the Open sound, at the same time rubbing the left with the edge of a long curved stick. It can also produce a bent 'talking' drum, which i find very amusing, by which the right head is supposedly stuck while the left squeezes and releases the rope that is holding them both together. The last two tones are non-pitched closed sounds. Produced by stirking the left stick with the left drumhead and the pressing and muting the right head with the right stick.


Rapso



Mainly consists of bass, drums, guitars and vocals.



Parang



Uses instruments such as the a 4-string miniature guitar also known as the cuatro, the maracas known locally as the shak-shaks, the violin, guitar, flute, trumpet claves known as toc-toc (they sure have a lot of nicknames), the box bass; an original native instrument, a caja; percussion box, a mandolin, bandolin and finally, an Afro-Venezuelan instrument, the marimbola!



Steelband




Lastly, we have the steelband or steeldrum instrument. It is an instrument used in many of the music types listed above and yet it is a music type in itself originating from Trinidad itself! It is one of the most interesting out of all the other instruments as it can store oil! The first few instruments that helped the steelpan instrument evolve to what it is today is the Tamboo-Bamboos. They are tunable sticks made of obviously, bamboo wood. They were used by striking the ground with other sticks to produce sound. In the mid-1930s, metal percussion were introduced in bands and soon, all-metal bands began appearing in the Carnival.


Steelpans were constructed using metal sheets. However, they were built using oil barrels originally. With techonology catching up, the contrast in which the steelpan is made is even more obvious as instrument makers now can get the resonant bodies of the drums manufactured according to their ideal preference and techinical specifics.


The steelpan is a new member to the percussion family but their tuning techniques are very advanced. All you need are experienced ears, tuning stick, a hammer, a strobe tuner and an exotic uplifting sound will be produced.


Why did we choose Africa?
Actually, at first, we were really interested in Calypso which we did last year for music but was not able to present it. One of our favourite songs was "Banana Boat" and we really recommend you to listen to it. One of our favourite famous people for Calypso is Harry Belafonte! However, after doing some research, we realised that it originates from Trinidad and Tobago, its the name of ONE country by the way, and it has many MANY different types of music. So we ended up doing all of them....anyway, i hope you enjoyed our post!


Wednesday, May 27, 2009 { 8:47 AM }

Profile:
Name [Chen Yi]
Birthday [April 4th 1953]
Origin [Guangzhong, Guangdong, China]
Genre [Contemporary Classical]
Occupation [Composer]
Instrument [Violin

History:
Chen Yi was born into a family with good background. Her parents work as doctors and musicians. He mother was able to play the piano and her father knew how to play the violin. Her elder sister was intellectually better than others and with her younger brother; her siblings became specialized musicians in China.
Chen Yi learnt the piano at the early age of three; focusing more on western compositions by Bach or Mozart. However, war came and her father and sister were taken away. She persisted on practicing her music, taking precautions not to be found out but was discovered. Her things were confiscated and her family was torn apart to different areas to do manual work.
Even though much hardship was faced, Chen Yi used her time there to study the wonder of Chinese folk culture and it helped her in her future compos
itions. She returned to Guangzhou at the age of seventeen and found a job as a concertmaster of the orchestra in the Beijing Opera Troupe.

After that, she stayed in New York City and learnt about composing with Chou Wen-chung and Mario Davidovsky, getting a DMA with distinction at Columbia University. She is also married to Zhou Long, a composer like herself.

Works/Contributions:
Chen has done many orchestral works, choral and chamber repertoire, even pieces for ethnic Chinese instruments. Some of her works are: Lament of the twin starts (1996) performed by a mixed chorus, Overture (1990) performed by a Chinese Instrumental Orchestra and Si Ji/ Four Seasons (2005) performed by a string orchestra or String Quintet.


Profile:
Name [Yoko Ono Lennon]
Birthday [February 18th 1933]
Origin [Tokyo, Japan]
Genre [Avant-Garde, Rock, Pop, Electronica, Shibuya Kei, Fluxus]
Occupation [Artist, Musician, Peace Activist]
Instrument [Vocals, Piano]

History
Yoko Ono’s family; Zenjiro Yasuda (Great Grandfather), Eisuke Ono (Father), Isoko Ono (Mother); runs in the business related to banking. Her family travelled to San Francisco, returned to Japan, then went to New York City, Hanoi and back to Japan again; entering an elite Christian primary school. In April 1946, she followed her father’s footsteps and entered Tokyo’s Gakushuin University, an elite school only open to people descended from aristocrats or even the imperial family! As her father was a descendant of an Emperor of Japan, she was enrolled and graduated in 1951, being the first ever woman to be in the philosophy program department but left the school after two semesters.
After that, her family moved to Scarsdale, New York where she cultivated her passion for music and arts. She went to galleries and met many artists. She married a composer, Toshi Ichiyanagi but it was short lived as they separated in 1962. In a few months, she remarried to Anthony Cox; a jazz musician, film producer and an art promoter. They had a daughter, Kyoko Chan Cox in the 8th of August 1963.

She divorced Cox and married John Lennon (a member of the Beatles) resulting in them fighting over the custody of Kyoko. Ono won in the end but Cox took her away and changed her name to Rosemary. Lennon was murdered in 1980 and Cox and Rosemary sent a sympathy letter. After which, Ono stopped looking for her grown daughter but they reunited in 1994. Ono also had a son, Sean, and Lennon resigned and took care of Sean.

Ono performed her first big public performance in Carnegie Recital Hall, followed by many other performances; for instance, performing in the Queen Elizabeth Hall. She performed at the opening ceremony for the 2006 Winter Olympic Games held in Turin, Italy; reciting a verse poem as an introduction to song ‘Imagine’.

Works/Contributions:
Ono produced many albums (23), singles (26) and many other works with other artists. Some of which are Fly (1971), Season Of Glass (1981) and Onobox (1992).

Awards:
International Assocaition of Art Critics
Skowhegan Medal
Award from the Japan Society of New York
Honorary Doctorate of Laws from Liverpool University
Degree of Doctor of Fine Arts from Bard College.

Profile:
Name [Yuki Kajiura]
Birthday [6th August 1965]
Origin [Tokyo, Japan]
Genre [Pop, Classical, New Age]
Occupation [Composer, Musician]
Instruments [Keyboard/Piano]

History:
Kajiura lived in West Germany since young due to her father’s job. She had written a music piece at the early age of seven as a farewell song to her grandmother. She graduated form a college in Tokyo and worked as a systems engineering programmer but changed her career to the music department. Her father had a major part in this decision as he appreciated opera and classical music a lot.

She debuted in 1992 as a trio with Chiaki Ishikawa as the lead vocal and Yukiko Nishioka. She was the back-up vocals and played the keyboards.
However the group separated in 1995 as one of their members wanted to become a writer. Thus, Kajiura went solo in her musical career, music composing and sound producing for many media. She later rejoined with Chiaki, creating a duo, See-Saw. At the same time, Kajiura made a breakthrough in animation music with a unique mix of synth, opera and French-flaired sound.

Works/Contributions:
Kajiura composed much animation music, game/movie soundtracks,
musicals, albums and many other productions. Some of which are her albums with See-Saw: I have a dream (1993). Others like: Tsubasa: Tokyo Revelations (2008), Blood the Last Vampire (2000) and Noir (2001). She also worked with many other vocalists for her songs.

{ 12:02 AM }














































































PROFILE


Name WENDY CARLOS
Birthdate November 14, 1939
Origin Pawtucket, Rhode Island, United States
Genre(s) Electronic Music, Film Scores
Occupation(s) Electronic Musician, Composer
Instrument(s) Synthesizer




History


Born in the humble town of Pawtucket, Rhode Island, this famous composer began her musical education at the age of 6, learning the piano. Through Carlos' years, she went to Brown University following undergraduate studies of music and physics and earned a master's degree in composition at Columbia University, studying with famous composer, Vladimir Ussachevsky . After graduation, she moved to New York and met Robert Moog in whom she was one of his earliest customers in providing feedback for the development of the Moog synthesizer.


Moog Studio

In 1966, Wendy met Rachel Elkind, the producer of Switched -On Bach and others. The two used their proceeds to renovate a New York brownstone for both home and buisness, and installed a studio for live recording.




Brown Stone Studio


Her first recording, Switched- On Brandenburgs was released under the name of Walter Carlos although Carlos had underwent sex reassignment surgery. Carlos had an interview with Playboy magazine, her first public appearance after her transition which she had deep regret for as it affected her reputation.


In 1998, Momus, a song writer, recorded a song "Walter Carlos", suggesting that if Wendt could go back in time she waould marry Walter. Carlos sued the man and Carlos sued the man and the case settled out of court, Momus agreed to remove the song, owing $3000 fines.


WORKS/COMPOSITIONS





During the years of 1992-1995, Carlos collaborated with Larry Fast. She developed a digital porcess of Soundtrack restoration and surrond stereo, Digi- Surround Stereo Sound. The latest works by Wendy are Tales of Heaven & Hell, an unsual musical dramatic work og combined themes in goth. It scored in the film, Woundings. She is currently remastering her old works such as clockwork Orange and Sonic Seasonings. The most extensive project would have to be the boxed set collection of her pioneering Bach & Baroque albulms. Some of her lastest remasterings, new albulms of her old works include: Beauty in the Beast and The Well-Tempered Synthesizer. A edition of Disney's TRON has also been released. These albums all contain historical notes and previously unreleased material. Rediscovered Lost Scores was recently released new albums of music never heard before.
One of Carlos' recent projects is the WurliTzer II. It is a combination of fine pipe organs and digital synths. Continually, she developed skills to play the instrument and composes music with it. In 2005, Wendy won the SEAMUS 2005 Life Achievement Award. She is currently a member of the Audio Engineering Society, the Society of Motion Picture and Television Engineers. Carlos is a consultant for many Machintosh developers and has designed Postscript music fonts and developed tunings for Kuzweil/Young Chang.



Some of her other compositions include:



Land of the Midnight Sun (1986 composition, released on the 1998 Sonic Seasonings reissue)
Rediscovering Lost Scores, Volume 2 (2005) (The Shining, Tron, Split Second, Woundings)
The Shining: Score Selections (soundtrack) (1980)
Tales of Heaven and Hell (1998): (contains a track using 15 equal temperament)




PROFILE


Name JODY DIAMOND
Birthdate April 23, 1953
Origin Pasadena, California
Genre(s) Community Music
Occupation(s) American Composer, performer, writer, publisher, editor, and educator
Instrument(s) Indonesian gamelan

History



In 1977, Jody received a B.A. from the University of California, Berkeley in 1977, and an M.A. from San Francisco State University, studying music, anthropology, and education. With Larry Polansky, she is a co-founder and co-director of Frog Peak Music. Diamond also is the founder of the American Gamelan Institute and edits its journal. She received a Fulbright Senior Scholar Research Fellowship surveying contemporary music in Indonesia and two Narional Endowment for the Humanities Felowships.

She has also taught at the University of California, Berkeley, Mills College, Goddard College, Bates College, Franklin Pierce College, and Monash University in Australia, and is currently teaching at Harvard University and Dartmouth College.

WORKS/COMPOSITIONS

Jody Diamond has created numerous works for gamelan and often is a guest composer/performer after her performance with Gamelan Son of Lion in the Yogyakarta Gamelan Festival in 1996.

Some of these compositions include:

At Lou's Table. For Javanese gamelan. 2003. Dedicated to Lou Harrison.
Bamboo. Collaboration with Indonesian composer Kuwat. For voice, gamelan, and bamboo angklung. Premiered at Dartmouth College Vaughan Series, April 2001.
Come Into the Valley. For Javanese gamelan and small chorus. Based on an American Shaker song, with harmony by Mary Ann Haagen. Dedicated to William Colvig. Premiered at Planet Gamelan Festival, Franklin Pierce College, NH, 2001.
Deep Blue Sea, 1982, for chorus.

These were all published by the American Gamelan Institute.

PROFILE

Name VIVIAN FINE

Birthdate September 28, 1913

Deathdate March 20, 2000( Age 86)

Origin Chicago, Illinois

Genre(s) Classical

Occupation(s) Composer, Teacher, Pianist

Instrument(s) Piano


History


This child prodigy born in 1913, Vivian Fine won a scholarship to the Chicago Musical college at the young age of five. She later went to study with other famous composers; Ruth Crawford Seeger and Djane Lavoie-Herz. In 1931, she moved to New York where she studied piano with Roger Sessions and Abby Whiteside. Four years later, Fine became a rehearsal pianist for dance companies and wrote pieces for them. In 1938, Vivian was the the co-founder of the American Composers Alliance and served as the vice president. Fine taught composition at New York University, the Julliard School of Music, the State University of New York at Postdam, and Bennington College in Vermont. At the age of 86, Vivian Fine passed away after being in an automobile accident in Bennington, VT, on March 20, 2000.




WORK/COMPOSITIONS



Some of Vivian's ballet scores include "The Race for Life", "They too Are Exiles" and "Tragic Exodus". Her symphonic compositions include "Elegiac Song" and "Meeting for Equal Rights1866." One of her best-known works is the 1978 opera The Women in the Garden, which quoted the writings of Emily Dickinson, Virginia Woolf, Gertrude Stein, and Isadora Duncan. One of her final works was the 1994 multimedia opera The Memoirs of Uliana Rooney. She was elected to the American Academy of Arts and Letters and was a Guggenheim Fellow in 1980.


Some other compositions of hers include:

"Epigram" and "Epitaph: upon the death of Sir Albert Morton's Wife"(1941) for contralto and piano.
For a Bust of Erik Satie: A Short Mass (1979) for soprano, mezzo soprano, narrator, and Chamber ensemble (flute, bassoon, trumpet, trombone, cello, and double bass)
A Guide to the Life Expectancy of a Rose(1956) for soprano, tenor, and chamber ensemble (flute, violin, cello, clarinet, and harp)
Hymns(1991) for two pianos, French horn, and violoncello